Ablitzer, Frédéric

Ablitzer F., Dauchez N. and Dalmont J.-P., May a bow buckle when playing violin?.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Aliverti, Andrea

Fréour V., Uva B., Aliverti A. and Cossette I., On the control of respiratory muscles in trombone performance.

Almeida, André

Almeida A., Bergeot B. and Vergez C., Attack transients in clarinet models with different complexity – a comparative view, pp. 51-57.

Guillemain P., Vergez C. and Almeida A., Several ways to stop a note in a clarinet – a comparative view of note extinctions, pp. 183-187.

Bergeot B., Almeida A. and Vergez C., Effect of the shape of mouth pressure variation on dynamic oscillation threshold of a clarinet model, pp. 535-540.

Li W., Almeida A., Smith J. and Wolfe J., Tongue Control and Its Coordination with Blowing Pressure in Clarinet Playing, pp. 541-546.

Amir, Noam

Magram T., Amir N. and Granot R., Positive Effect of Noise On Self-Perceived Vocal Control, pp. 439-444.

Amir N., Globerson E. and Kishon-Rabin L., Pitch, Intensity, Duration and Spectrum - Psychoacoustic Thresholds of Musicians Compared to Non-Musicians, pp. 453-457.

Andrieux, Benoit

Andrieux B., Gibiat V. and Selmer J., Modeling of a woodwind mouthpiece using a finite-element method and characterization of its acoustic input impedance, pp. 147-152.

Antunes, Jose

Carvalho M., Debut V. and Antunes J., Assessing the perceived strike notes and tuning properties of two historical carillons based on the identified modes and empirical psychoacoustic pitch criteria, pp. 583-589.

Auvray, Roman

Auvray R., Fabre B. and Lagrée P.-Y., Harmonics generation in flute-like instruments, pp. 39-43.

De La Cuadra P., Magron P., Auvray R., Meneses F. and Fabre B., Sound synthesis of Siku and closed pipe flutes, pp. 525-530.

Baddour, Natalie

Dumond P. and Baddour N., Mechanical Property Relationships in Sitka Spruce Soundboard Wood, pp. 287-293.

Bader, Rolf

Bader R., Münster M. and Richter J., Forced oscillation mode relations of acoustical guitars, pp. 219-225.

Bamberger, Andreas

Bamberger A. and Ronneberger D., A revised dependence of the edge tone frequency for the first hydrodynamic mode, pp. 45-49.

Bavu, Eric

Tahon M., Bavu E., Melon M. and Garcia A., Attack transient exploration on sopranino recorder with time-domain Near-Field Acoustic Holography method, pp. 645-650.

Benacchio, Simon

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Bensoam, Joël

Taillard P.-A., Hélie T. and Bensoam J., Numerical Computation of the Transfer Functions of an Axisymmetric Duct with the Extended Discrete Singular Convolution Method, pp. 159-164.

Bergeot, Baptiste

Almeida A., Bergeot B. and Vergez C., Attack transients in clarinet models with different complexity – a comparative view, pp. 51-57.

Bergeot B., Almeida A. and Vergez C., Effect of the shape of mouth pressure variation on dynamic oscillation threshold of a clarinet model, pp. 535-540.

Bertsch, Matthias

Bertsch M. and Hoole P., Tonguing on brass instruments - Highspeed Visualization and Benchmarks of fastest Tempi, pp. 407-412.

Biglari, Hama

Biglari H., Voice Source and Subglottal Pressure in Persian and Kurdish Singing.

Bilbao, Stefan

Desvages C. and Bilbao S., Physical Modeling of Nonlinear Player-String Interactions in Bowed String Sound Synthesis Using Finite Difference Methods, pp. 261-266.

Bilbao S., Numerical Modeling of String/Barrier Collisions, pp. 267-272.

Bilbao S., The Changing Picture of Nonlinearity in Musical Instruments: Modeling and Simulation.

Boisgerault, Sébastien

Boisgerault S. and D'Andréa-Novel B., Design of Algebraic Observers for Brass Instruments, pp. 623-628.

Bonnefis, Paul

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Borsarello, Hugues

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

Boutillon, Xavier

Thorin A., Boutillon X., Lozada J. and Merlhiot X., Modeling and simulating the dynamics of the grand piano action.

Boutin, Henri

Boutin H., Fletcher N., Smith J. and Wolfe J., Lipping down on the trombone: phases of lip motion and pressures, pp. 119-124.

Brasseur, Emmanuel

Lotton P., Lihoreau B. and Brasseur E., Experimental Study of a Guitar Pickup, pp. 355-360.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Gilbert J., Brasseur E., Dalmont J.-P. and Maniquet C., Acoustical study of the Carnyx of Tintignac, pp. 511-515.

Brémaud, Iris

Brémaud I., A “sound” choice: multi-criteria selection of material for instrument making from wood science viewpoint.

Carlier C., Brémaud I. and Gril J., Violin making “tonewood”: comparing makers’ empirical expertise with wood structural/visual and acoustical properties, pp. 325-330.

Buys, Kurijn

Buys K., Sharp D. and Laney R., Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator, pp. 331-336.

Campbell, Murray

Campbell M., Musical acoustics for musicians, pp. 1-7.

Campbell M., Chick J., Gilbert J., Kemp J., Myers A. and Newton M., Spectral Enrichment in Brass Instruments Due to Nonlinear Sound Propagation: a Comparison of Measurements and Predictions, pp. 113-118.

Carlier, Capucine

Carlier C., Brémaud I. and Gril J., Violin making “tonewood”: comparing makers’ empirical expertise with wood structural/visual and acoustical properties, pp. 325-330.

Carral, Sandra

Carral S. and Chatziioannou V., The influence of the cone parameters on the sound of conical woodwind instruments, pp. 201-206.

Carvalho, Miguel

Carvalho M., Debut V. and Antunes J., Assessing the perceived strike notes and tuning properties of two historical carillons based on the identified modes and empirical psychoacoustic pitch criteria, pp. 583-589.

Castellengo, Michèle

Castellengo M. and Henrich Bernardoni N., Interplay between harmonics and formants in singing : when vowels become music, pp. 433-438.

Caussé, René

Caussé R., Rosi V. and Jousserand M., Comparison of clarinet making over time - Seeking correlations between the player’s perception - intonation, timbre, response - and objective measurements.

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Cazau, Dorian

Cazau D., Comparative study on the timbre of occidental and African plucked string instruments.

Cazau D., Bringing traditional instruments of Africa into the 21th century: Presentation of the 'Mvet fou' (Crazy Mvet) by François Essindi.

Charru, François

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Chatziioannou, Vasileios

Kausel W., Chatziioannou V., Gorman B., Rokni M. and Moore T., Vibro acoustic modeling of wall vibrations of a trumpet bell, pp. 89-93.

Carral S. and Chatziioannou V., The influence of the cone parameters on the sound of conical woodwind instruments, pp. 201-206.

Gorman B., Rokni M., Moore T., Kausel W. and Chatziioannou V., Bell Vibrations and How They Affect the Sound of the Modern Trumpet, pp. 215-218.

Chatziioannou V. and Van Walstijn M., Sound Synthesis for Contact-Driven Musical Instruments via Discretisation of Hamilton's Equations, pp. 603-608.

Van Walstijn M. and Chatziioannou V., Numerical Simulation of Tanpura String Vibrations, pp. 609-614.

Chavero, Guadalupe

Torres J.A. and Chavero G., Introducing Modal Analysis to Luthiers through an Experiment without Analyzer or Transducers.

Chick, John

Campbell M., Chick J., Gilbert J., Kemp J., Myers A. and Newton M., Spectral Enrichment in Brass Instruments Due to Nonlinear Sound Propagation: a Comparison of Measurements and Predictions, pp. 113-118.

Harrison R. and Chick J., A Single Valve Brass Instrument Model using Finite-Difference Time-Domain Methods, pp. 125-130.

Chomette, Baptiste

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Le Carrou J.-L., Chomette B. and Paté A., Influence of the instrumentalist on the electric guitar vibratory behaviour, pp. 413-417.

Citro, Vincenzo

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Collin, Samantha

Etchenique N., Collin S. and Moore T., Measurements of Longitudinal Waves in Piano Strings and Their Dependence on Transverse String Displacement, pp. 143-146.

Cossette, Isabelle

Vauthrin C., Fabre B. and Cossette I., How does posture influence flute player's breathing and playing ?, pp. 419-424.

Fréour V., Uva B., Aliverti A. and Cossette I., On the control of respiratory muscles in trombone performance.

Cottier, Jonathan

Cottier J., Gibiat V. and Selmer J., Impedance Analysis on a Real Instrument and its Impact on the Manufacturing Process, pp. 307-313.

Cottingham, James

Cottingham J., Simple Plucked and Blown Free Reeds from Southeast Asia, pp. 383-387.

Courrier, Thierry

Courrier T., Vaiedelich S., Quartier L. and Maniguet T., Maurice Martenot:From past to present.

Coyle, Whitney

Coyle W., Kergomard J. and Guillemain P., Rapid creation of tuning maps for a clarinet using analytic formulas, pp. 295-299.

Curtin, Joseph

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

Curtit, Marthe

David B., Gautier F., Curtit M., Raifort A. and Elie B., Accessing the homogeneity of guitar tones.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Gautier F., Curtit M., Fréour V., Vaiedelich S. and Juarez A.V., Acoustic characteristics of the Stroh-violin.

D'Andréa-Novel, Brigitte

Boisgerault S. and D'Andréa-Novel B., Design of Algebraic Observers for Brass Instruments, pp. 623-628.

Da Silva, Andrey

Shi Y., Da Silva A. and Scavone G., Numerical Simulation of Whistles Using Lattice Boltzmann Methods, pp. 615-621.

Dalmont, Jean-Pierre

Félix S., Kergomard J. and Dalmont J.-P., Simplified formulas for the quantitative evaluation of the curvature-induced mistuning in wind instruments.

Munoz A., Gazengel B., Dalmont J.-P. and Plantier G., Comparative Study of Different Physical Models Describing the Reed Behaviour in Real and Artificial Playing Conditions, pp. 131-136.

Dalmont J.-P. and Le Vey G., New lattices of sound tubes with harmonically related eigenfrequencies, pp. 153-158.

Dalmont J.-P. and Le Vey G., The irish Uillean pipe: a story of lore, hell and hard D, pp. 189-193.

Ablitzer F., Dauchez N. and Dalmont J.-P., May a bow buckle when playing violin?.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Le Conte S. and Dalmont J.-P., The Zurna : an Ottoman Oboe.

Gilbert J., Brasseur E., Dalmont J.-P. and Maniquet C., Acoustical study of the Carnyx of Tintignac, pp. 511-515.

Dauchez, Nicolas

Ablitzer F., Dauchez N. and Dalmont J.-P., May a bow buckle when playing violin?.

David, Bertrand

David B., Gautier F., Curtit M., Raifort A. and Elie B., Accessing the homogeneity of guitar tones.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

David, Sumam

Kalyan A., Sundarrajan V. and David S., Pitched Musical Instrument Sound Inter-conversion Through Extraction of Timbre Features.

De La Cuadra, Patricio

De La Cuadra P., Magron P., Auvray R., Meneses F. and Fabre B., Sound synthesis of Siku and closed pipe flutes, pp. 525-530.

Debut, Vincent

Carvalho M., Debut V. and Antunes J., Assessing the perceived strike notes and tuning properties of two historical carillons based on the identified modes and empirical psychoacoustic pitch criteria, pp. 583-589.

Démarais, Nicolas

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Desvages, Charlotte

Desvages C. and Bilbao S., Physical Modeling of Nonlinear Player-String Interactions in Bowed String Sound Synthesis Using Finite Difference Methods, pp. 261-266.

Dos Santos, José M. C.

Paiva G. and Dos Santos J.M.C., Modal Analysis of a Brazilian Guitar Body, pp. 233-239.

Doutaut, Vincent

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Dumond, Patrick

Dumond P. and Baddour N., Mechanical Property Relationships in Sitka Spruce Soundboard Wood, pp. 287-293.

Echeverría, Carlos

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Ege, Kerem

Trevisan B., Ege K. and Laulagnet B., Prediction of orthotropic ribbed plates' vibro-acoustics mechanisms: application to the piano soundboard, pp. 83-88.

Eghbalzadeh, Hamid

Eghbalzadeh H. and Schedl M., Formant Analysis of Altered Notes in a Diatonic Harmonica, pp. 59-64.

Elie, Benjamin

David B., Gautier F., Curtit M., Raifort A. and Elie B., Accessing the homogeneity of guitar tones.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Ernoult, Augustin

Ernoult A., Fabre B., Terrien S. and Vergez C., Experimental Study of Attack Transients in Flute-like Instruments, pp. 177-182.

Etchenique, Nikki

Etchenique N., Collin S. and Moore T., Measurements of Longitudinal Waves in Piano Strings and Their Dependence on Transverse String Displacement, pp. 143-146.

Eustache, Pedro

Hoekje P. and Eustache P., Persian Ney Headjoint for Modern Boehm Flute.

Eveno, Pauline

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Eveno P. and Scavone G., A perceptual study on the effect of pad resonators on the saxophone, pp. 471-476.

Fabre, Benoît

Auvray R., Fabre B. and Lagrée P.-Y., Harmonics generation in flute-like instruments, pp. 39-43.

Terrien S., Vergez C. and Fabre B., To what extent can a Linear Analysis predict the Behaviour of a Flute Model?, pp. 171-176.

Ernoult A., Fabre B., Terrien S. and Vergez C., Experimental Study of Attack Transients in Flute-like Instruments, pp. 177-182.

Roy A., Le Carrou J.-L., Fabre B. and Vitrani M.-A., Mechanical Analysis of the Voicing Process in the Harpsichord, pp. 255-260.

Paté A., Le Carrou J.-L., Teissier F. and Fabre B., Monitoring of the making process of a handcrafted electric guitar, pp. 301-306.

Vauthrin C., Fabre B. and Cossette I., How does posture influence flute player's breathing and playing ?, pp. 419-424.

De La Cuadra P., Magron P., Auvray R., Meneses F. and Fabre B., Sound synthesis of Siku and closed pipe flutes, pp. 525-530.

Fabre, David

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Falaize, Antoine

Falaize A. and Hélie T., Passive simulation of electrodynamic loudspeakers for guitar amplifiers: a port- Hamiltonian approach.

Félix, Simon

Félix S., Kergomard J. and Dalmont J.-P., Simplified formulas for the quantitative evaluation of the curvature-induced mistuning in wind instruments.

Feron, Romain

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Finel, Victor

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Fletcher, Neville

Boutin H., Fletcher N., Smith J. and Wolfe J., Lipping down on the trombone: phases of lip motion and pressures, pp. 119-124.

Fouilleul, Jean-Marie

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Fréour, Vincent

Fréour V., Mansour H., Saitis C. and Scavone G., Evaluation and classification of steel string guitars using bridge admittances, pp. 317-321.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Gautier F., Curtit M., Fréour V., Vaiedelich S. and Juarez A.V., Acoustic characteristics of the Stroh-violin.

Fréour V., Uva B., Aliverti A. and Cossette I., On the control of respiratory muscles in trombone performance.

Frič, Marek

Frič M. and Kulanová A., Factors of the assessment of a vocal category in female singers - a preliminary study, pp. 427-432.

Fritz, Claudia

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

Fuster-Garcia, Elies

Pico R., Romero-García V., Garcia-Raffi L.M., Fuster-Garcia E. and Mena A., Classification of marimba mallets based on objetive parameters measured with a striking apparatus, pp. 273-278.

Gandolfi, Ghislain

Hélie T. and Gandolfi G., Optimization of smooth bores of idealized wind instruments with respect to basic acoustic features, pp. 15-20.

Garcia, Alexandre

Tahon M., Bavu E., Melon M. and Garcia A., Attack transient exploration on sopranino recorder with time-domain Near-Field Acoustic Holography method, pp. 645-650.

Garcia-Raffi, L. M.

Pico R., Romero-García V., Garcia-Raffi L.M., Fuster-Garcia E. and Mena A., Classification of marimba mallets based on objetive parameters measured with a striking apparatus, pp. 273-278.

Gautier, Francois

David B., Gautier F., Curtit M., Raifort A. and Elie B., Accessing the homogeneity of guitar tones.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Gautier F., Curtit M., Fréour V., Vaiedelich S. and Juarez A.V., Acoustic characteristics of the Stroh-violin.

Poittevin J., Picart P., Gautier F. and Pezerat C., Analysis of the attack phase of a guitar sound using high speed digital holography.

Gazengel, Bruno

Munoz A., Gazengel B., Dalmont J.-P. and Plantier G., Comparative Study of Different Physical Models Describing the Reed Behaviour in Real and Artificial Playing Conditions, pp. 131-136.

Ghasarossian, Thierry

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

Giannetti, Flavio

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Gibiat, Vincent

Andrieux B., Gibiat V. and Selmer J., Modeling of a woodwind mouthpiece using a finite-element method and characterization of its acoustic input impedance, pp. 147-152.

Cottier J., Gibiat V. and Selmer J., Impedance Analysis on a Real Instrument and its Impact on the Manufacturing Process, pp. 307-313.

Gidion, Gunnar

Gidion G., Evasive manoeuvres of bowed-string instruments: The effect of wolf suppressors on wolf tones, pp. 337-341.

Gilbert, Joel

Campbell M., Chick J., Gilbert J., Kemp J., Myers A. and Newton M., Spectral Enrichment in Brass Instruments Due to Nonlinear Sound Propagation: a Comparison of Measurements and Predictions, pp. 113-118.

Velut L., Vergez C., Gilbert J. and Silva F., Numerical Simulation of the Production of Pedal Notes in Brass Instruments.

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Gilbert J., Brasseur E., Dalmont J.-P. and Maniquet C., Acoustical study of the Carnyx of Tintignac, pp. 511-515.

Tournemenne R., Petiot J.F. and Gilbert J., Study of perceived differences between simulated and real trumpets sounds, pp. 569-575.

Giordano, Nicholas

Giordano N., Nonlinear Effects at Woodwind Toneholes, pp. 95-100.

Globerson, Eitan

Amir N., Globerson E. and Kishon-Rabin L., Pitch, Intensity, Duration and Spectrum - Psychoacoustic Thresholds of Musicians Compared to Non-Musicians, pp. 453-457.

Gorman, Britta

Kausel W., Chatziioannou V., Gorman B., Rokni M. and Moore T., Vibro acoustic modeling of wall vibrations of a trumpet bell, pp. 89-93.

Gorman B., Rokni M., Moore T., Kausel W. and Chatziioannou V., Bell Vibrations and How They Affect the Sound of the Modern Trumpet, pp. 215-218.

Granot, Roni

Magram T., Amir N. and Granot R., Positive Effect of Noise On Self-Perceived Vocal Control, pp. 439-444.

Gril, Joseph

Carlier C., Brémaud I. and Gril J., Violin making “tonewood”: comparing makers’ empirical expertise with wood structural/visual and acoustical properties, pp. 325-330.

Guillemain, Philippe

Guillemain P., Vergez C. and Almeida A., Several ways to stop a note in a clarinet – a comparative view of note extinctions, pp. 183-187.

Guilloteau A., Guillemain P. and Kergomard J., Dependence of the acoustic power produced by a woodwind on the tonehole size, pp. 241-245.

Coyle W., Kergomard J. and Guillemain P., Rapid creation of tuning maps for a clarinet using analytic formulas, pp. 295-299.

Guilloteau, Alexis

Guilloteau A., Guillemain P. and Kergomard J., Dependence of the acoustic power produced by a woodwind on the tonehole size, pp. 241-245.

Güttler, Marcus

Saati Khosroshahi F., Sepahvand K., Güttler M., Pourtahmasi K. and Marburg S., Modal Analysis of the Persian Music Instrument Kamancheh: An Experimental Investigation, pp. 65-69.

Harrison, Reginald

Harrison R. and Chick J., A Single Valve Brass Instrument Model using Finite-Difference Time-Domain Methods, pp. 125-130.

Hélie, Thomas

Hélie T. and Gandolfi G., Optimization of smooth bores of idealized wind instruments with respect to basic acoustic features, pp. 15-20.

Taillard P.-A., Hélie T. and Bensoam J., Numerical Computation of the Transfer Functions of an Axisymmetric Duct with the Extended Discrete Singular Convolution Method, pp. 159-164.

Lopes N. and Hélie T., A Power-balanced Model of a Valve Exciter Including Shocks and Based on a Conservative Jet for Brass Instruments: Simulations and Comparison with Standard Models.

Falaize A. and Hélie T., Passive simulation of electrodynamic loudspeakers for guitar amplifiers: a port- Hamiltonian approach.

Henrich Bernardoni, Nathalie

Castellengo M. and Henrich Bernardoni N., Interplay between harmonics and formants in singing : when vowels become music, pp. 433-438.

Hoekje, Peter

Hoekje P. and Eustache P., Persian Ney Headjoint for Modern Boehm Flute.

Hoole, Phil

Bertsch M. and Hoole P., Tonguing on brass instruments - Highspeed Visualization and Benchmarks of fastest Tempi, pp. 407-412.

Houssay, Anne

Houssay A., The string 'after length' of the cello tailppiece : History, acoustics and performance techniques, pp. 207-213.

Jarry, Jean-François

Jeanson L. and Jarry J.-F., Effect of the Ebony Crown on the Higher Register of the Classical Guitar, pp. 343-347.

Jeanson, Loïc

Jeanson L. and Jarry J.-F., Effect of the Ebony Crown on the Higher Register of the Classical Guitar, pp. 343-347.

Ji, Peifeng

Zhu S., Ji P., Kuang W. and Yang J., The Research of Controlling Loudness in the Timbre Subjective Perception Experiment of Sheng, pp. 577-582.

Jousserand, Michael

Caussé R., Rosi V. and Jousserand M., Comparison of clarinet making over time - Seeking correlations between the player’s perception - intonation, timbre, response - and objective measurements.

Juarez, Alejandro Vital

Gautier F., Curtit M., Fréour V., Vaiedelich S. and Juarez A.V., Acoustic characteristics of the Stroh-violin.

Kalyan, Ashwin

Kalyan A., Sundarrajan V. and David S., Pitched Musical Instrument Sound Inter-conversion Through Extraction of Timbre Features.

Kartofelev, Dmitri

Kartofelev D., Mustonen M., Stulov A. and Välimäki V., Application of High-Speed Line Scan Camera for String Vibration Measurements, pp. 629-634.

Mustonen M., Kartofelev D., Stulov A. and Välimäki V., Experimental Verification of Pickup Nonlinearity, pp. 651-656.

Kausel, Wilfried

Kausel W., Chatziioannou V., Gorman B., Rokni M. and Moore T., Vibro acoustic modeling of wall vibrations of a trumpet bell, pp. 89-93.

Gorman B., Rokni M., Moore T., Kausel W. and Chatziioannou V., Bell Vibrations and How They Affect the Sound of the Modern Trumpet, pp. 215-218.

Kemp, Jonathan

Campbell M., Chick J., Gilbert J., Kemp J., Myers A. and Newton M., Spectral Enrichment in Brass Instruments Due to Nonlinear Sound Propagation: a Comparison of Measurements and Predictions, pp. 113-118.

Kemp J., Sensing lip protrusion and vibratory motion in the mouthpiece during trumpet playing using a Theremin, pp. 137-142.

Kergomard, Jean

Kergomard J., Regularity and irregularity in wind instruments with toneholes or bells, pp. 11-14.

Félix S., Kergomard J. and Dalmont J.-P., Simplified formulas for the quantitative evaluation of the curvature-induced mistuning in wind instruments.

Guilloteau A., Guillemain P. and Kergomard J., Dependence of the acoustic power produced by a woodwind on the tonehole size, pp. 241-245.

Coyle W., Kergomard J. and Guillemain P., Rapid creation of tuning maps for a clarinet using analytic formulas, pp. 295-299.

Kishon-Rabin, Liat

Amir N., Globerson E. and Kishon-Rabin L., Pitch, Intensity, Duration and Spectrum - Psychoacoustic Thresholds of Musicians Compared to Non-Musicians, pp. 453-457.

Kob, Malte

Kob M., Impact of Excitation and Acoustic Conditions on the Accuracy of Directivity Measurements, pp. 639-643.

Koehn, Christian

Koehn C., A Bowed Bamboo Tube Zither from Southeast Asia, pp. 499-502.

Koster, Evert

Waltham C., Lan Y. and Koster E., Vibroacoustics of the Guqin, pp. 505-510.

Kowal, Paulina

Kowal P., Sharp D. and Taherzadeh S., Comparison of perceived sound qualities of five clarinets of different makes, pp. 477-482.

Kuang, Wei

Zhu S., Ji P., Kuang W. and Yang J., The Research of Controlling Loudness in the Timbre Subjective Perception Experiment of Sheng, pp. 577-582.

Kulanová, Angelika

Frič M. and Kulanová A., Factors of the assessment of a vocal category in female singers - a preliminary study, pp. 427-432.

Lafay, Grégoire

Lafay G., Rossignol M., Misdariis N., Lagrange M. and Petiot J.F., A New Experimental Approach for Urban Soundscape Characterization Based on Sound Manipulation : A Pilot Study, pp. 593-599.

Lagrange, Mathieu

Lafay G., Rossignol M., Misdariis N., Lagrange M. and Petiot J.F., A New Experimental Approach for Urban Soundscape Characterization Based on Sound Manipulation : A Pilot Study, pp. 593-599.

Lagrée, Pierre-Yves

Auvray R., Fabre B. and Lagrée P.-Y., Harmonics generation in flute-like instruments, pp. 39-43.

Lan, Yang

Waltham C., Lan Y. and Koster E., Vibroacoustics of the Guqin, pp. 505-510.

Lan Y. and Waltham C., Acoustical Impedance of the Xiao, pp. 517-522.

Laney, Robin

Buys K., Sharp D. and Laney R., Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator, pp. 331-336.

Laulagnet, Bernard

Trevisan B., Ege K. and Laulagnet B., Prediction of orthotropic ribbed plates' vibro-acoustics mechanisms: application to the piano soundboard, pp. 83-88.

Le Carrou, Jean-Loïc

Roy A., Le Carrou J.-L., Fabre B. and Vitrani M.-A., Mechanical Analysis of the Voicing Process in the Harpsichord, pp. 255-260.

Paté A., Le Carrou J.-L., Teissier F. and Fabre B., Monitoring of the making process of a handcrafted electric guitar, pp. 301-306.

Le Carrou J.-L., Chomette B. and Paté A., Influence of the instrumentalist on the electric guitar vibratory behaviour, pp. 413-417.

Le Conte, Sandie

Le Conte S. and Dalmont J.-P., The Zurna : an Ottoman Oboe.

Le Duff, Alain

Ablitzer F., Brasseur E., Caussé R., Curtit M., Dalmont J.-P., David B., Démarais N., Doutaut V., Elie B., Eveno P., Feron R., Fouilleul J.-M., Fréour V., Gautier F., Gilbert J. and Le Duff A., The PAFI project : a collaborative approach for developing tools for instruments makers.

Le Vey, Georges

Dalmont J.-P. and Le Vey G., New lattices of sound tubes with harmonically related eigenfrequencies, pp. 153-158.

Le Vey G., Graph models of wind instruments : computing the natural frequencies of some elementary ducts, pp. 165-170.

Dalmont J.-P. and Le Vey G., The irish Uillean pipe: a story of lore, hell and hard D, pp. 189-193.

Le Vey G. and Petiot J.F., Graph-based model optimization of wind instruments: preliminary results, pp. 349-354.

Li, Weicong

Li W., Almeida A., Smith J. and Wolfe J., Tongue Control and Its Coordination with Blowing Pressure in Clarinet Playing, pp. 541-546.

Lihoreau, Bertrand

Lotton P., Lihoreau B. and Brasseur E., Experimental Study of a Guitar Pickup, pp. 355-360.

Lokki, Tapio

Tahvanainen H., Pätynen J. and Lokki T., Perception of bass with some musical instruments in concert halls, pp. 563-568.

Lopes, Nicolas

Lopes N. and Hélie T., A Power-balanced Model of a Valve Exciter Including Shocks and Based on a Conservative Jet for Brass Instruments: Simulations and Comparison with Standard Models.

Lotton, Pierrick

Lotton P., Lihoreau B. and Brasseur E., Experimental Study of a Guitar Pickup, pp. 355-360.

Lozada, José

Thorin A., Boutillon X., Lozada J. and Merlhiot X., Modeling and simulating the dynamics of the grand piano action.

Luchini, Paolo

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Magram, Tanya

Magram T., Amir N. and Granot R., Positive Effect of Noise On Self-Perceived Vocal Control, pp. 439-444.

Magron, Paul

De La Cuadra P., Magron P., Auvray R., Meneses F. and Fabre B., Sound synthesis of Siku and closed pipe flutes, pp. 525-530.

Mamou-Mani, Adrien

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Maniguet, Thierry

Courrier T., Vaiedelich S., Quartier L. and Maniguet T., Maurice Martenot:From past to present.

Maniquet, Christophe

Gilbert J., Brasseur E., Dalmont J.-P. and Maniquet C., Acoustical study of the Carnyx of Tintignac, pp. 511-515.

Mansour, Hossein

Fréour V., Mansour H., Saitis C. and Scavone G., Evaluation and classification of steel string guitars using bridge admittances, pp. 317-321.

Marburg, Steffen

Saati Khosroshahi F., Sepahvand K., Güttler M., Pourtahmasi K. and Marburg S., Modal Analysis of the Persian Music Instrument Kamancheh: An Experimental Investigation, pp. 65-69.

Maugeais, Sylvain

Maugeais S., How to apply a plaster on a drum to make it harmonic, pp. 227-232.

Melon, Manuel

Tahon M., Bavu E., Melon M. and Garcia A., Attack transient exploration on sopranino recorder with time-domain Near-Field Acoustic Holography method, pp. 645-650.

Mena, Alba

Pico R., Romero-García V., Garcia-Raffi L.M., Fuster-Garcia E. and Mena A., Classification of marimba mallets based on objetive parameters measured with a striking apparatus, pp. 273-278.

Meneses, Felipe

De La Cuadra P., Magron P., Auvray R., Meneses F. and Fabre B., Sound synthesis of Siku and closed pipe flutes, pp. 525-530.

Merlhiot, Xavier

Thorin A., Boutillon X., Lozada J. and Merlhiot X., Modeling and simulating the dynamics of the grand piano action.

Meurisse, Thibaut

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Misdariis, Nicolas

Lafay G., Rossignol M., Misdariis N., Lagrange M. and Petiot J.F., A New Experimental Approach for Urban Soundscape Characterization Based on Sound Manipulation : A Pilot Study, pp. 593-599.

Mizutani, Koichi

Niiho R., Wakatsuki N. and Mizutani K., Derivation of Nonlinear Coupling Coefficients in Internal Resonance Formulation of Cymbal Vibrations, pp. 101-105.

Moore, Thomas

Kausel W., Chatziioannou V., Gorman B., Rokni M. and Moore T., Vibro acoustic modeling of wall vibrations of a trumpet bell, pp. 89-93.

Etchenique N., Collin S. and Moore T., Measurements of Longitudinal Waves in Piano Strings and Their Dependence on Transverse String Displacement, pp. 143-146.

Gorman B., Rokni M., Moore T., Kausel W. and Chatziioannou V., Bell Vibrations and How They Affect the Sound of the Modern Trumpet, pp. 215-218.

Muenster, Malte

Muenster M. and Pfeifle F., Non-Linear Behaviour in Sound Production of the Rhodes Piano, pp. 247-252.

Munoz, Alberto

Munoz A., Gazengel B., Dalmont J.-P. and Plantier G., Comparative Study of Different Physical Models Describing the Reed Behaviour in Real and Artificial Playing Conditions, pp. 131-136.

Münster, Malte

Bader R., Münster M. and Richter J., Forced oscillation mode relations of acoustical guitars, pp. 219-225.

Mustonen, Mirko

Kartofelev D., Mustonen M., Stulov A. and Välimäki V., Application of High-Speed Line Scan Camera for String Vibration Measurements, pp. 629-634.

Mustonen M., Kartofelev D., Stulov A. and Välimäki V., Experimental Verification of Pickup Nonlinearity, pp. 651-656.

Myers, Arnold

Campbell M., Chick J., Gilbert J., Kemp J., Myers A. and Newton M., Spectral Enrichment in Brass Instruments Due to Nonlinear Sound Propagation: a Comparison of Measurements and Predictions, pp. 113-118.

Newton, Michael

Torin A. and Newton M., Nonlinear Effects in Drum Membranes, pp. 107-112.

Campbell M., Chick J., Gilbert J., Kemp J., Myers A. and Newton M., Spectral Enrichment in Brass Instruments Due to Nonlinear Sound Propagation: a Comparison of Measurements and Predictions, pp. 113-118.

Torin A. and Newton M., Collisions in Drum Membranes: a preliminary study on a simplified system, pp. 401-406.

Niiho, Ryutaro

Niiho R., Wakatsuki N. and Mizutani K., Derivation of Nonlinear Coupling Coefficients in Internal Resonance Formulation of Cymbal Vibrations, pp. 101-105.

Ojala, Stina

Tuominen H.T., Palmer R. and Ojala S., Enhanced music performing environment for persons with cochlear implants (CI).

Otcenasek, Jan

Otcenasek Z. and Otcenasek J., Perception of Different Types of Roughness of Violin Tones, pp. 557-562.

Otcenasek, Zdenek

Otcenasek Z. and Otcenasek J., Perception of Different Types of Roughness of Violin Tones, pp. 557-562.

Paiva, Guilherme

Paiva G. and Dos Santos J.M.C., Modal Analysis of a Brazilian Guitar Body, pp. 233-239.

Palazzo-Bertholon, Bénédicte

Valiere J.-C. and Palazzo-Bertholon B., Acoustic Pots in Ancient Buildings: State of Art and Historical Questions.

Palmer, Russ

Tuominen H.T., Palmer R. and Ojala S., Enhanced music performing environment for persons with cochlear implants (CI).

Paté, Arthur

Paté A., Le Carrou J.-L., Teissier F. and Fabre B., Monitoring of the making process of a handcrafted electric guitar, pp. 301-306.

Le Carrou J.-L., Chomette B. and Paté A., Influence of the instrumentalist on the electric guitar vibratory behaviour, pp. 413-417.

Pätynen, Jukka

Tahvanainen H., Pätynen J. and Lokki T., Perception of bass with some musical instruments in concert halls, pp. 563-568.

Pérez-López, Antonio

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Perry, Ian

Perry I. and Richardson B., Radiation Efficiency and Sound Field Measurements on Stringed Musical Instruments, pp. 77-82.

Petiot, Jean François

Le Vey G. and Petiot J.F., Graph-based model optimization of wind instruments: preliminary results, pp. 349-354.

Tournemenne R., Petiot J.F. and Gilbert J., Study of perceived differences between simulated and real trumpets sounds, pp. 569-575.

Lafay G., Rossignol M., Misdariis N., Lagrange M. and Petiot J.F., A New Experimental Approach for Urban Soundscape Characterization Based on Sound Manipulation : A Pilot Study, pp. 593-599.

Pezerat, Charles

Poittevin J., Picart P., Gautier F. and Pezerat C., Analysis of the attack phase of a guitar sound using high speed digital holography.

Pfeifle, Florian

Muenster M. and Pfeifle F., Non-Linear Behaviour in Sound Production of the Rhodes Piano, pp. 247-252.

Pfeifle F., Real-Time Physical Model of a Piano-Hammer String Interaction Coupled to a Soundboard, pp. 391-397.

Picart, Pascal

Poittevin J., Picart P., Gautier F. and Pezerat C., Analysis of the attack phase of a guitar sound using high speed digital holography.

Pico, Rubén

Pico R., Romero-García V., Garcia-Raffi L.M., Fuster-Garcia E. and Mena A., Classification of marimba mallets based on objetive parameters measured with a striking apparatus, pp. 273-278.

Plantier, Guy

Munoz A., Gazengel B., Dalmont J.-P. and Plantier G., Comparative Study of Different Physical Models Describing the Reed Behaviour in Real and Artificial Playing Conditions, pp. 131-136.

Plath, Niko

Plath N., Acoustical Analysis of the Mexican Vihuela, pp. 493-497.

Poitevineau, Jacques

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

Poittevin, Julien

Poittevin J., Picart P., Gautier F. and Pezerat C., Analysis of the attack phase of a guitar sound using high speed digital holography.

Porta, David

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Pourtahmasi, Kambiz

Saati Khosroshahi F., Sepahvand K., Güttler M., Pourtahmasi K. and Marburg S., Modal Analysis of the Persian Music Instrument Kamancheh: An Experimental Investigation, pp. 65-69.

Pyle, Robert

Pyle R., Pitch Flexibility of Brass Instruments.

Quartier, Laurent

Courrier T., Vaiedelich S., Quartier L. and Maniguet T., Maurice Martenot:From past to present.

Raifort, Alain

David B., Gautier F., Curtit M., Raifort A. and Elie B., Accessing the homogeneity of guitar tones.

Rendon, Pablo

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Richardson, Bernard

Perry I. and Richardson B., Radiation Efficiency and Sound Field Measurements on Stringed Musical Instruments, pp. 77-82.

Roberts W. and Richardson B., Perceptual Thresholds for String-Body Coupling in Plucked-String Instruments, pp. 465-470.

Richter, Jan

Richter J., Timbre Related Geometry Analysis of Classical Guitars.

Bader R., Münster M. and Richter J., Forced oscillation mode relations of acoustical guitars, pp. 219-225.

Roberts, Wil

Roberts W. and Richardson B., Perceptual Thresholds for String-Body Coupling in Plucked-String Instruments, pp. 465-470.

Rokni, Michelle

Kausel W., Chatziioannou V., Gorman B., Rokni M. and Moore T., Vibro acoustic modeling of wall vibrations of a trumpet bell, pp. 89-93.

Gorman B., Rokni M., Moore T., Kausel W. and Chatziioannou V., Bell Vibrations and How They Affect the Sound of the Modern Trumpet, pp. 215-218.

Romero-García, V.

Pico R., Romero-García V., Garcia-Raffi L.M., Fuster-Garcia E. and Mena A., Classification of marimba mallets based on objetive parameters measured with a striking apparatus, pp. 273-278.

Ronneberger, Dirk

Bamberger A. and Ronneberger D., A revised dependence of the edge tone frequency for the first hydrodynamic mode, pp. 45-49.

Rosi, Victor

Caussé R., Rosi V. and Jousserand M., Comparison of clarinet making over time - Seeking correlations between the player’s perception - intonation, timbre, response - and objective measurements.

Rossignol, Mathias

Lafay G., Rossignol M., Misdariis N., Lagrange M. and Petiot J.F., A New Experimental Approach for Urban Soundscape Characterization Based on Sound Manipulation : A Pilot Study, pp. 593-599.

Roy, Alexandre

Roy A., Le Carrou J.-L., Fabre B. and Vitrani M.-A., Mechanical Analysis of the Voicing Process in the Harpsichord, pp. 255-260.

Russo, Serena

Fabre D., Bonnefis P., Charru F., Russo S., Citro V., Giannetti F. and Luchini P., Application of global stability approaches to whistling jets and wind instruments, pp. 23-28.

Saati Khosroshahi, Ferina

Saati Khosroshahi F., Sepahvand K., Güttler M., Pourtahmasi K. and Marburg S., Modal Analysis of the Persian Music Instrument Kamancheh: An Experimental Investigation, pp. 65-69.

Saitis, Charalampos

Fréour V., Mansour H., Saitis C. and Scavone G., Evaluation and classification of steel string guitars using bridge admittances, pp. 317-321.

Scavone, Gary

Fréour V., Mansour H., Saitis C. and Scavone G., Evaluation and classification of steel string guitars using bridge admittances, pp. 317-321.

Eveno P. and Scavone G., A perceptual study on the effect of pad resonators on the saxophone, pp. 471-476.

Shi Y., Da Silva A. and Scavone G., Numerical Simulation of Whistles Using Lattice Boltzmann Methods, pp. 615-621.

Schedl, Markus

Eghbalzadeh H. and Schedl M., Formant Analysis of Altered Notes in a Diatonic Harmonica, pp. 59-64.

Selmer, Jérôme

Andrieux B., Gibiat V. and Selmer J., Modeling of a woodwind mouthpiece using a finite-element method and characterization of its acoustic input impedance, pp. 147-152.

Cottier J., Gibiat V. and Selmer J., Impedance Analysis on a Real Instrument and its Impact on the Manufacturing Process, pp. 307-313.

Sepahvand, Kheirollah

Saati Khosroshahi F., Sepahvand K., Güttler M., Pourtahmasi K. and Marburg S., Modal Analysis of the Persian Music Instrument Kamancheh: An Experimental Investigation, pp. 65-69.

Sharp, David

Buys K., Sharp D. and Laney R., Developing a hybrid wind instrument: using a loudspeaker to couple a theoretical exciter to a real resonator, pp. 331-336.

Meurisse T., Mamou-Mani A., Benacchio S., Finel V., Chomette B., Caussé R. and Sharp D., Experimental Validation of Adjusting the Resonances of a Simplified Bass Clarinet Through Modal Active Control, pp. 365-370.

Kowal P., Sharp D. and Taherzadeh S., Comparison of perceived sound qualities of five clarinets of different makes, pp. 477-482.

Shi, Yong

Shi Y., Da Silva A. and Scavone G., Numerical Simulation of Whistles Using Lattice Boltzmann Methods, pp. 615-621.

Silva, Fabrice

Velut L., Vergez C., Gilbert J. and Silva F., Numerical Simulation of the Production of Pedal Notes in Brass Instruments.

Smith, John

Boutin H., Fletcher N., Smith J. and Wolfe J., Lipping down on the trombone: phases of lip motion and pressures, pp. 119-124.

Li W., Almeida A., Smith J. and Wolfe J., Tongue Control and Its Coordination with Blowing Pressure in Clarinet Playing, pp. 541-546.

Stern, Catalina

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Stulov, Anatoli

Kartofelev D., Mustonen M., Stulov A. and Välimäki V., Application of High-Speed Line Scan Camera for String Vibration Measurements, pp. 629-634.

Mustonen M., Kartofelev D., Stulov A. and Välimäki V., Experimental Verification of Pickup Nonlinearity, pp. 651-656.

Sundarrajan, Vinay

Kalyan A., Sundarrajan V. and David S., Pitched Musical Instrument Sound Inter-conversion Through Extraction of Timbre Features.

Taherzadeh, Shahram

Kowal P., Sharp D. and Taherzadeh S., Comparison of perceived sound qualities of five clarinets of different makes, pp. 477-482.

Tahon, Marie

Tahon M., Bavu E., Melon M. and Garcia A., Attack transient exploration on sopranino recorder with time-domain Near-Field Acoustic Holography method, pp. 645-650.

Tahvanainen, Henna

Tahvanainen H., Pätynen J. and Lokki T., Perception of bass with some musical instruments in concert halls, pp. 563-568.

Taillard, Pierre-André

Taillard P.-A., Hélie T. and Bensoam J., Numerical Computation of the Transfer Functions of an Axisymmetric Duct with the Extended Discrete Singular Convolution Method, pp. 159-164.

Takada, Orie

Takada O., Sound Energy Measurement of Singing Voice on upper Parts of the Body: A Research in Classical, Pop, Soul and Musical Theatre Singing, pp. 445-451.

Tao, Fan-Chia

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

Teissier, Franck

Paté A., Le Carrou J.-L., Teissier F. and Fabre B., Monitoring of the making process of a handcrafted electric guitar, pp. 301-306.

Terrien, Soizic

Terrien S., Vergez C. and Fabre B., To what extent can a Linear Analysis predict the Behaviour of a Flute Model?, pp. 171-176.

Ernoult A., Fabre B., Terrien S. and Vergez C., Experimental Study of Attack Transients in Flute-like Instruments, pp. 177-182.

Thomazelli, Rodolfo

Thomazelli R., Low Cost TMTC-based Impedance Spectrometer as a Reference Tool for Instrument Makers.

Thorin, Anders

Thorin A., Boutillon X., Lozada J. and Merlhiot X., Modeling and simulating the dynamics of the grand piano action.

Torin, Alberto

Torin A. and Newton M., Nonlinear Effects in Drum Membranes, pp. 107-112.

Torin A. and Newton M., Collisions in Drum Membranes: a preliminary study on a simplified system, pp. 401-406.

Torres, Jesus Alejandro

Torres J.A. and Chavero G., Introducing Modal Analysis to Luthiers through an Experiment without Analyzer or Transducers.

Tournemenne, Robin

Tournemenne R., Petiot J.F. and Gilbert J., Study of perceived differences between simulated and real trumpets sounds, pp. 569-575.

Trevisan, Benjamin

Trevisan B., Ege K. and Laulagnet B., Prediction of orthotropic ribbed plates' vibro-acoustics mechanisms: application to the piano soundboard, pp. 83-88.

Tsai, You-Luen

Wang B.-T. and Tsai Y.-L., Modification Design of Harmonic Sound Plate with Equal Width for Metallophone, pp. 71-75.

Tuominen, Heikki T

Tuominen H.T., Palmer R. and Ojala S., Enhanced music performing environment for persons with cochlear implants (CI).

Uva, Barbara

Fréour V., Uva B., Aliverti A. and Cossette I., On the control of respiratory muscles in trombone performance.

Vaiedelich, Stephane

Vaiedelich S., Conservation and restoration of historical musical instruments.

Gautier F., Curtit M., Fréour V., Vaiedelich S. and Juarez A.V., Acoustic characteristics of the Stroh-violin.

Courrier T., Vaiedelich S., Quartier L. and Maniguet T., Maurice Martenot:From past to present.

Valiere, Jean-Christophe

Valiere J.-C. and Palazzo-Bertholon B., Acoustic Pots in Ancient Buildings: State of Art and Historical Questions.

Välimäki, Vesa

Kartofelev D., Mustonen M., Stulov A. and Välimäki V., Application of High-Speed Line Scan Camera for String Vibration Measurements, pp. 629-634.

Mustonen M., Kartofelev D., Stulov A. and Välimäki V., Experimental Verification of Pickup Nonlinearity, pp. 651-656.

Van Walstijn, Maarten

Chatziioannou V. and Van Walstijn M., Sound Synthesis for Contact-Driven Musical Instruments via Discretisation of Hamilton's Equations, pp. 603-608.

Van Walstijn M. and Chatziioannou V., Numerical Simulation of Tanpura String Vibrations, pp. 609-614.

Vauthrin, Camille

Vauthrin C., Fabre B. and Cossette I., How does posture influence flute player's breathing and playing ?, pp. 419-424.

Vázquez, Teo

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Velasco, Roberto

Rendon P., Vázquez T., Velasco R., Echeverría C., Porta D., Pérez-López A. and Stern C., A study of acoustic wavefronts radiated from trombones and trumpets through Schlieren imaging and direct measurements.

Velut, Lionel

Velut L., Vergez C., Gilbert J. and Silva F., Numerical Simulation of the Production of Pedal Notes in Brass Instruments.

Vencovsky, Vaclav

Vencovsky V., Modeling roughness perception for complex stimuli using a model of cochlear hydrodynamics, pp. 483-488.

Vergez, Christophe

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Vitrani, Marie-Aude

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Niiho R., Wakatsuki N. and Mizutani K., Derivation of Nonlinear Coupling Coefficients in Internal Resonance Formulation of Cymbal Vibrations, pp. 101-105.

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Yoshikawa S. and Waltham C., Woods for Wooden Musical Instruments, pp. 281-286.

Waltham C., An Acoustical Comparison of East Asian and Western String Instruments, pp. 375-380.

Waltham C., Lan Y. and Koster E., Vibroacoustics of the Guqin, pp. 505-510.

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Wang, Bor-Tsuen

Wang B.-T. and Tsai Y.-L., Modification Design of Harmonic Sound Plate with Equal Width for Metallophone, pp. 71-75.

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Boutin H., Fletcher N., Smith J. and Wolfe J., Lipping down on the trombone: phases of lip motion and pressures, pp. 119-124.

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Wollman, Indiana

Fritz C., Curtin J., Poitevineau J., Borsarello H., Wollman I., Tao F.-C. and Ghasarossian T., Old Italian versus new violins: the soloists’ perspective, pp. 459-464.

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Zhang A. and Woodhouse J., On the Playability of Wolf Note, pp. 31-37.

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Zhu S., Ji P., Kuang W. and Yang J., The Research of Controlling Loudness in the Timbre Subjective Perception Experiment of Sheng, pp. 577-582.

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Yoshikawa S. and Waltham C., Woods for Wooden Musical Instruments, pp. 281-286.

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Zhang A. and Woodhouse J., On the Playability of Wolf Note, pp. 31-37.

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Zhu S., Ji P., Kuang W. and Yang J., The Research of Controlling Loudness in the Timbre Subjective Perception Experiment of Sheng, pp. 577-582.

Ziemer, Tim

Ziemer T., Sound Radiation Characteristic of a Shakuhachi with different Playing Techniques, pp. 549-555.